![]() ![]() Actually, to understand the bandish of any raga, it is better to listen and grasp the instrumental classical music played on a musical instrument. ![]() ![]() Once you memorize the bandish of ragas, you will be able to identify the raga of another tune that is based on same raga. This sometimes makes it difficult to identify the raga of the song, although the progression of notes follows the same rules of raga in any octave. A song based on a given raga can be composed in any one of 3 octaves. In a way, bandish is a common factor within all the tunes composed on a given raga. This is the precise reason why two songs composed on the same raga sound similar. Whenever a music director composes a song based upon a given raga, he makes sure that he uses the bandish of that raga. Bandish are the most dominating notes of a given raga. ![]()
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